Jeffrey Harrison: "To a Snake"

I knew you were not poisonous
when I saw you in the side garden;
even your name—milk snake—
sounds harmless, and yet your pattern
of copper splotches outlined in black
frightened me, and the way you were
curled in loops; and it offended me
that you were so close to the house
and clearly living underneath it
if not inside, in the cellar, where I
have found your torn shed skins.

You must have been frightened too
when I caught you in the webbing
of the lacrosse stick and flung you
into the woods, where you landed
dangling from a vine-covered branch,
shamelessly twisted. Now I
am the one who is ashamed, unable
to untangle my feelings,
braided into my DNA or buried
deep in the part of my brain
that is most like yours.



"To a Snake" by Jeffrey Harrison, from Into Daylight (Tupelo Press, 2014). © Jeffrey Harrison. Reprinted with permission of the poet. All rights reserved.

Art credit: Photograph of a milk snake by George Grall/NGS.

Jeffrey Harrison: "Interval"

Sometimes, out of nowhere, it comes back,
that night when, driving home from the city,
having left the nearest streetlight miles behind us,

we lost our way on the back country roads
and found, when we slowed down to read a road sign,
a field alive with the blinking of fireflies,

and we got out and stood there in the darkness,
amazed at their numbers, their scattered sparks
igniting silently in a randomness

that somehow added up to a marvel
both earthly and celestial, the sky
brought down to earth, and brought to life,

a sublunar starscape whose shifting constellations
were a small gift of unexpected astonishment,
luminous signalings leading us away

from thoughts of where we were going
or coming from, the cares that often drive us
relentlessly onward and blind us

to such flickering intervals when moments
are released from their rigid sequence
and burn like airborne embers, floating free.



"Interval" by Jeffrey Harrison, from Feeding the Fire. © Sarabande Books, 2001.

Photography credit: Untitled image of fireflies by Donna Van Bogaert (originally color). The photographer blogged: "I have buffered some of the loss of the spring blooms and delight myself with the coming constellation of little stars in my backyard. Beautiful."

Jeffrey Harrison: "Enough"

It’s a gift, this cloudless November morning
warm enough for you to walk without a jacket
along your favorite path. The rhythmic shushing
of your feet through fallen leaves should be
enough to quiet the mind, so it surprises you
when you catch yourself telling off your boss
for a decade of accumulated injustices,
all the things you’ve never said circling inside you.

It’s the rising wind that pulls you out of it,
and you look up to see a cloud of leaves
swirling in sunlight, flickering against the blue
and rising above the treetops, as if the whole day
were sighing, Let it go, let it go,
for this moment at least, let it all go.

"Enough" by Jeffrey Harrison, from The Essential Rumi. © Jeffrey Harrison. Found online at this link.

Photography credit: "Autumn Leaves Swirl," by Sayran (originally color).