Friday, September 6, 2013

Rabbit Ableegumooch: "The Poetry of Ordinary Time"















an interview with Marie Howe (a found poem)


I.
The parables and the stories—
all those great old stories—
so much mystery and complexity.
The story’s all there, but we know
that the story, the real story
is inarticulate.

The spaces in between.

You can hold what can’t be said.
The mystery of being alive;
a basket of words that feels inevitable.
A counter spell.

This is what we all need to walk around with.

Maybe the first poem
was a lullaby a woman sang to her child,
the incantatory everything is okay, everything is okay, everything is okay.
We prayed for rain, or we thanked the gods for the corn,
or we sang to the deer we were going to catch.
Its roots can never wholly be pulled out from
sacred ground.

Language is almost all we have left
of action in the modern world,
unless we’re in Syria or we’re in Iraq.
Action has become what we say.

In a big house different people experience different things.
Trauma shatters a unity. You are now in separate shards.
(As much as you want to be all in the same room,
trying to speak to another,
shard to shard.)

When I was a girl,
I would have to go to the backyard and
pick up
every cigarette butt.
I would think of Saint Teresa.
Just do every act as a prayer.
Then my father would come out and say,
You've missed this one, this one, and this one.
Everything in the world is trying to tell us this now,
even as we’re speeding up and speeding up,
and speeding up, and staring into our screens.
It hurts to be present.

Rinsing the glass
under the water.
Slow down enough to just
simply be there.
My daughter used to say to me,
Mom, slow down. If you slow down, you're going to get there faster.
Just watch. See that white car? Slow down.

Then we would get to the place and she’d say,
See, the white car is behind us.

When you’re very sad,
the only thing to do is to go learn something.

Write 10 observations of the actual world.
Just tell me what you saw this morning
in two lines.
I saw a water glass on a brown tablecloth.
And the light came through it in three places.

No metaphor.
You have to actually endure the thing itself,
which hurts us for some reason.
It hurts us.

We want to say,
It was like this. It was like that.
We want to look away.
And then they say,
There's nothing important enough.
And then its whole thing
is that point.
No abstractions, no interpretations.

Then this amazing thing happens.
Clinkety, clank, clank, clank, onto the table pours all this stuff, and it thrilling.
The slice of apple, and then that gleam of the knife, and the sound of the      trashcan closing, the maple tree, the blue jay.
it almost comes clanking into the room.


II.
Last spring,
somebody was drawing on the sidewalk in blue chalk.
All it said was HAPPINESS,
with a big blue arrow, THIS WAY.
One day,
I was waiting for my daughter and her friends to
get off one bus to get on another.
There
was the big blue chalk HAPPINESS,
and a big circle drawn on the sidewalk said HERE.
And everybody who walked by stood in the circle. We did too.
It’s the
this.
This is the whole
thing.
Why would I compare that to anything
when it’s
itself?


III.
There’s a silence
in the center of everything.
Maybe that’s the thing
we are afraid of.
Silence is the heart.
It has everything in it:
our death;
our life—the universes beyond
this universe, the galaxies.
The cricket, the snow.
Such a relief;
you can rest in
it.

The robots were going to take over
and the machines were going to take over.
Just last week it occurred to me: They have.
It's just different from what we expected.
You think evil is going to come into your houses
wearing big black boots.
It doesn’t come like that.
It begins in the language.


What face do you look into more
than any other face in your life?
I gaze into that face.
I do what it tells me to do.
It’s different from what we expected.
It’s like sugar.

There’s this new firmament,
and there's no one in charge.
I don’t even know what I mean by soul.
I don't know anymore.

Real time is true;
redundancy that’s happening now.
Remember those swaths of time between high holy seasons:
Ordinary time.
Nothing dramatic is happening;
this is where we’re living.

Finally we’re stopped long enough
to feel ourselves alive.

To move through the world transparently—
that would be a relief.
All I know is that
things have happened that I don't understand
that feel like the most important things
that have ever happened to me.

The unendurable happens.
People we love die;
we’re going to die—
one day we are going to have to leave our children,
leave the plants, the sunlight,
the rain and all that.
It's unendurable.

Art knows that
we’re both living and dying
at the same time.
It can hold it.

I thought, I can either let this crack my heart
open or closed.

I turned around and the
billion other people on this earth who’ve
lost a person they love—there they all were.
I turned around: I just joined you.

Welcome. There were millions of people;
I was glad to be with them.
We join each other;
We’re not alone.

Holding human stories up:
it’s so miraculous.

Everything is shared.


[Curator's note: This found poem, formed in the spirit of Annie Dillard's Pilgrim at Tinker Creek, deserves comment. Its maker, who publishes a blog under the name Rabbit Ableegumooch, offers us this background: "One night when I couldn't sleep, I decided to listen to the latest On Being podcast, which was a really arresting conversation between Krista Tippett and a poet I'd never heard of, Marie Howe. There were so many words, lines, thoughts that stood out to me as I listened, and I kept thinking, I should write these down. But then they were more than just thoughts; it all sounded like a poem to me." Read more about the invention of this mindfulness poem on the Rabbit's Gone Missing blog.]


"The Poetry of Ordinary Time" by the blogger Rabbit Ableegumooch. Published on Rabbit's Gone Missing on May 28, 2013.

Image credit: Unknown.



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