Kerry Hardie: "May"

(for Marian)
 
The blessèd stretch and ease of it—

heart’s ease. The hills blue. All the flowering weeds
bursting open. Balm in the air. The birdsong
bouncing back out of the sky. The cattle
lain down in the meadow, forgetting to feed.
The horses swishing their tails.
The yellow flare of furze on the near hill.
And the first cream splatters of blossom
high on the thorns where the day rests longest.

All hardship, hunger, treachery of winter forgotten.
This unfounded conviction: forgiveness, hope.

"May" by Kerry Hardie, from A Furious Place (Gallery Books, 1997). Text as posted on Jelisava.

Art credit: "Cow in Flowers," photograph taken on July 24, 2009, by Bob.

 

Kerry Hardie: "What's Left"

(for Peter Hennessy)

I used to wait for the flowers,
my pleasure reposed on them.
Now I like plants before they get to the blossom.
Leafy ones—foxgloves, comfrey, delphiniums—
fleshy tiers of strong leaves pushing up
into air grown daily lighter and more sheened
with bright dust like the eyeshadow
that tall young woman in the bookshop wears,
its shimmer and crumble on her white lids.

The washing sways on the line, the sparrows pull
at the heaps of drying weeds that I’ve left around.
Perhaps this is middle age. Untidy, unfinished,
knowing there’ll never be time now to finish,
liking the plants—their strong lives—
not caring about flowers, sitting in weeds
to write things down, look at things,
watching the sway of shirts on the line,
the cloth filtering light.

I know more or less
how to live through my life now.
But I want to know how to live what’s left
with my eyes open and my hands open;
I want to stand at the door in the rain
listening, sniffing, gaping.
Fearful and joyous,
like an idiot before God.



"What's Left" by Kerry Hardie, from Cry for the Hot Belly. © Gallery Books, 2001.

Photography credit: Unknown (originally color).